Saturday, May 9, 2020



බූට්ලෙග් (Bootleg) සහ රීමික්ස් (Remix) අතර වෙනස කුමක්ද?



ඔබ ගීතයක් නිෂ්පාදනය කර වෙනත් ගීතවල අංග භාවිතා කරන විට, ඔබට කර්තෘගේ අවසරය (author's permission) අවශ්‍ය වේ, සංගීත නිෂ්පාදකයෙකු ලෙස (පොදුවේ සංගීත නිෂ්පාදනයේදී) අවසර දී ඇති දේ සහ නොකළ දේ දැන ගැනීම වැදගත්ය.
සංගීතය නිෂ්පාදනය කරන්නේ කෙසේද යන්න ඉගෙන ගැනීමේ කොටසක් නම්, ඔබේ සංගීත නිෂ්පාදන වටා ඇති නීත්‍යානුකූලභාවය ගැන සැලකිලිමත්විම ඉතා වැදගත් විෂයක්වනු ඇත.
මුල් සංගීත නිෂ්පාදනයට සම්බන්ධ සෑම පුද්ගලයෙකුගේම අවසරය ඔබට අවශ්‍ය බැවින් අවසර ලබා ගැනීම අභියෝගාත්මක කාර්යයකි.
Remix සහ Bootleg අතර වෙනස නීත්‍යානුකූල භාවයයි.
ඔබට අවසර තිබේ නම් එය Remix ලෙස හැඳින්වේ, එසේ නොවේ නම් එය Bootleg ලෙස හදුන්වනු ලැබේ.
ඔබේ Bootleg සෑදීම සංගීත නිෂ්පාදකයෙකු ලෙස ඔබේ කුසලතා ප්‍රගුණ කිරීම ආරම්භ කිරීමට හොඳ ක්‍රමයක් විය හැකිය.
නමුත් Bootleg ප්‍රසිද්ධියේ නිකුත් කිරීම (උදාහරණයක් ලෙස SounCloud හි) එතරම් බුද්ධිමත් ක්‍රියාවක් නොවේ.

Tuesday, October 29, 2019

DJ Gear Predictions: Pioneer DJ Could Release A XDJ-RZ + XDJ-RB In 2020




Just two months left in this decade, and one thing is clear in our industry: Pioneer DJ has absolutely dominated DJ gear sales. It begs some speculation: what will the company release in the coming year to keep competitors at bay?
For today’s article, we speculate on two pieces of standalone, all-in-one hardware that we think could firmly cement Pioneer DJ as the ecosystem of choice for another ten years. They’re both laptop-free, and both focus on fulfilling the essential needs of most DJs: giving them an easy way to practice for club-level gear without buying a full player and mixer setup.

XDJ-RB: A Highly-Portable All-In-One

Think of the hypothetical XDJ-RB as a completely standalone version of DDJ-400/200 with an integrated Rekordbox display. It’s designed to be backpack-friendly, it delivers many of the essential functions of the rekordbox-ecosystem, it has an attractive price, and it is a no-brainer for most DJs looking to learn.
Just look at DJ Ravine playing a set on the DDJ-200, streaming tracks from Spotify via djay Pro on an iPhone and outputting it all to a Bluetooth speaker and imagine how Pioneer DJ could make this a complete system:
Pioneer DJ successfully made a consistently sales chart-topping model when they built the beginner-oriented and super-portable DDJ-SB. In my mind, there’s little reason why they couldn’t take those same learnings and apply them to their standalone lineup – and price it at a powerful $400-600 mark (as a point of comparison, the XDJ-RR is $999).
A feature set of the XDJ-RB could include:
  • Internal/external 5v battery power
  • Basic two deck mixing section
  • Bluetooth speaker compatibility
  • Basic jogwheels and filter Color FX
  • Highly portable size
One important note here is that Pioneer DJ will probably not want to cannibalize sales of the XDJ-RX2 and XDJ-RR (or a future XDJ-RX3, should one be released) – so they’ll hold back on adding too many features so that DJs who want those features will be compelled to upgrade. Here’s what we expect they would not include on this model:
  • RGB pads
  • Mic/Aux Inputs
  • Standalone Mixer functionality
  • non-filter Color FX
  • Pro Link functionality
  • Pioneer DJ successfully made a consistently sales chart-topping model when they built the beginner-oriented and super-portable DDJ-SB. In my mind, there’s little reason why they couldn’t take those same learnings and apply them to their standalone lineup – and price it at a powerful $400-600 mark (as a point of comparison, the XDJ-RR is $999).
    A feature set of the XDJ-RB could include:
    • Internal/external 5v battery power
    • Basic two deck mixing section
    • Bluetooth speaker compatibility
    • Basic jogwheels and filter Color FX
    • Highly portable size
    One important note here is that Pioneer DJ will probably not want to cannibalize sales of the XDJ-RX2 and XDJ-RR (or a future XDJ-RX3, should one be released) – so they’ll hold back on adding too many features so that DJs who want those features will be compelled to upgrade. Here’s what we expect they would not include on this model:
    • RGB pads
    • Mic/Aux Inputs
    • Standalone Mixer functionality
    • non-filter Color FX
    • Pro Link functionality

XDJ-RZ: A Four Channel XDJ-RX With Advanced Features


This is the piece of hardware that so many DJs around the web heavily suspected would be released “next” in the XDJ lineup last year – but instead Pioneer DJ delivered the XDJ-RR, a slightly slimmed down all-in-one unit. Features over the XDJ-RX2 might include:
  • DDJ-1000 style jog displays
  • Advanced 4-deck display (borrowed from the TOUR1 line)
  • Dual USB ports with recording options for both/either
  • great VU meters and a higher-quality soundcard / DAC
  • DVS support
  • Linkable with CDJs or other XDJ-units for network drive use
  • Pattern sequencing / basic DJS-1000 style playback
  • toneplay performance pad more
We made our most recent guess at the XDJ-RZ appearing back in December 2018 in an article called “The Race Is On: Who Will Make The 4-Channel Standalone Unit DJs Crave?” Denon DJ won that race, but seemingly not the war – sales of the Prime 4 have stayed relatively secondary compared to Pioneer DJs standalone units.
The secret sauce here is switching costs: most DJs who are going to buy an all-in-one four channel controller probably don’t want to move to a non-standard platform. Denon DJ continues to face an uphill battle on that front. A popular industry-only report revealed earlier this year that a majority of DJs looking to buy new gear want to buy Pioneer DJ products (~65% of respondents – Denon DJ was closer to 5%) – and that’s a big hurdle for any competitors to take on.
“a majority of DJs looking to buy new gear want to buy Pioneer DJ products”
There’s quite a good business reason why Pioneer DJ is putting off releasing a unit in this category: sales cannibalization of their players/mixers. A DJ looking for a complete new-condition four deck solution might also seriously consider shelling out for four Pioneer DJ players and a four channel mixer, which ends up costing >$4,000 depending on the models chosen. That’s a lot more profit to be had than what we’d probably see the XDJ-RZ priced (probably closer to $2,500 – $3,000).

Tuesday, October 22, 2019

DIMITRI VEGAS & LIKE MIKE WIN DJ MAG TOP 100 DJS 2019


Dimitri Vegas & Like Mike have won this year’s DJ Mag Top 100 DJs poll. The duo return to the top spot after winning in 2015, toppling three-time winner Martin Garrix.
“I was caught off guard with the news that we’re No.1 again,” an excitable Dimitri Vegas tells DJ Mag from Ibiza, having just finished 14 weeks of a residency at Ushuaia with his brother Mike. “For us it was unreal, it was a big surprise, to be honest. We’re super-happy.”
The brothers had another banner year in 2019, with an exceptionally busy gig diary. Taking their distinctive blend of EDM, trap and other genres to huge venues across the world, they mention South America as being a particular highlight, with festival appearances in Chile and Argentina standing out. 
“We did the Lollapalooza tour there,” Dimitri says. “We used to play South America so much, so that was like coming home. Next year we’re going to play there way more. We really miss the people, and the shows were so crazy.”
While the tag team also enjoyed shows in Asia and around much of Europe, their DJ residency in Ibiza was special for another reason. With Ushuaia occupying nearly the same spot in Playa d’en Bossa as a hotel Dimitri Vegas played at 16 years ago when he was just starting out as a DJ, the duo’s appearances over the summer at the world-famous club illustrate just how far they’ve come from humble beginnings.
The DJ Mag Top 100 DJs poll is back and bigger than ever. In yet another record-breaking year, a whopping 1.3 million people cast their vote for their favourite DJs, that’s up 100,000 on last our 2018 poll. Once again Top 100 DJs partnered with UNICEF, the world’s leading children’s organisation. Thanks to the kind donations of voters and DJs over the past three years, we have now raised over €112,000 for UNICEF. With this money UNICEF has been able to provide 150,000 life saving vaccinations to children in danger.
David Guetta jumps up two places to claim the bronze medal, and Armin van Buuren holds steady in fourth place, making this his 18th consecutive year inside the top five and claiming the Highest Trance award again in the process. Right behind him comes masked DJ Marshmello, climbing all the way from No.10 to make his first appearance in the top five, and Don Diablo — once again the Highest Future House DJ — is up one more spot into sixth. Dutchmen Tiësto and Afrojack both drop places but remain in the top 10, and Steve Aoki rounds off the list by climbing back up one place. The biggest change is Hardwell, who drops nine places down to No.12; however, given he’s currently on sabbatical, taking some time for himself this isn’t so surprising, and given all the talk of around mental health and the pressures of stardom this year we wish him all the best.
Moving down the poll and Brazilian favourite Alok is up two to No.11 — will he finally break the top 10 next year? R3HAB, W&W and Lost Frequencies each drop places, while KSHMR and Eric Prydz both climb three spots. The rest of the teenies is formed of three new additions in the form of Timmy Trumpet (up a whopping 20 spots to No.13, his highest placement yet), DJ Snake (up eight to 16) and Scotsman Calvin Harris (up 21 to 19th place). 
Skrillex is unmoving at No.21, scooping the Highest Bass award once again in a year that’s seen him open his already teeming net of collaborators even further. Brit trance trio Above & Beyond are right behind him, hauling themselves up a huge 29 places, while NERVO remain the highest placing women in the chart at No.24. At the tail-end of the twenties, Headhunterz holds on to his Highest Hard trophy despite dropping one spot — his nearest competitor, Angerfist, this year down to 34th place. 
In 35th comes the mighty Carl Cox, taking the Highest Techno gong again. Coxy is up 18 places, leading the charge for a new influx of house and techno artists. In fact, 2019 sees more house and techno artists in the Top 100 than there has been in almost a decade. Elsewhere, Drumcode boss Adam Beyer is up 31 places, just pushing into the top 50, while Claptone is up four and takes Highest House for the third year in a row. Nina Kraviz climbs a massive 37 places into 60th, while Richie Hawtin, Marco Carola, Paul Kalkbrenner, Solomun remain in the poll too. South Africa’s Black Coffee makes a welcome return after yet another successful season at Hï Ibiza, and there’s a host of new additions: rowdy tech-house lads FISHER — this year’s Highest New Entry — and Solardo join the poll, as do Belgian techno spinner Charlotte de Witte, South Korea’s Peggy Gou, and masked German Boris Brejcha.
The addition of de Witte and Gou show another step in the right direction when it comes to gender diversity in the Top 100. Mariana BO and MATTN have both gained ground rapidly this year — climbing 19 and 21 places, respectively — and Aussie-born bass DJ, Alison Wonderland, claims this year’s Highest Climber award after scooting up a colossal 52 places.
Other artists making double-figure leaps up the poll include ATB, Mike Williams, Ferry Corsten, Breathe Carolina, Deorro, Carl Nunes, Cedric Gervais, Lucas & Steve, and Andy C, who takes home Highest Drum & Bass once again. Swedish House Mafia are up 21 places too, though Steve Angello has taken a hit and Axwell Λ Ingrosso have dropped out altogether. Overall, there are 11 new entries (one more than in 2018), six re-entries — the highest being Belgium’s Yves V, at No.56 — and five non-movers.
Votes came in from 179 different countries, with the most votes recorded from the USA once again, followed by mainland Europe — the UK, Netherlands, Belgium and Germany leading the charge. Latin America is close behind, where fans from Mexico and Brazil, in particular, have been voting in droves. In addition to Facebook and Google, the SMS voting mechanism continued to open up voting to anyone with a mobile phone, with around 15% of all votes coming from this login in 2019. This is perhaps best reflected in the increase of voters from China, which is now second behind India in terms of Asian voting regions. Elsewhere votes came in from countries such as Monaco, Yemen, Sudan, Syria, and Iraq.

Monday, October 21, 2019

WHAT DO YOU THINKING ABOUT SYNC



Sync basically matches two bpms of two tracks together, and what offends people is that they feel like the art of beat matching is no longer relevant - that everyone can be a DJ now because they can skip hours and days and months of practice on learning how to beat match by ear.

And for anti-sync users, they feel like people who use Sync are cheating and are devaluing the overall art of DJ’ing.

Now to be fair. When one learns how to beat match, one begins to really understand their songs, beats, and tracks. Their ears become more in tune in hearing if two tracks are perfectly beat-matched with each other. And that in itself is also an invaluable skill to have as a DJ. 

And one also begins to learn how to use their jogwheels to further align their tracks together. 

So, if you use Sync as a beginner DJ, you kinda bypass all of those lessons that MUST be learned. 

So here’s my take. If you’re beginner DJ, please learn how to beat match manually by ear first before learning anything else. You must literally train your ears to discern if two tracks are aligned with each other. 

Now, let’s say, you’re not a beginner dj, and already know how to beat match and jogwheel by ear without visuals. My man,  you’re pretty much good to go with syncing in my book. 

Anyway, now, most modern DJ’s who don’t use Sync, pretty much to do this when they DJ.

First, They look at the visuals of the currently playing track, see the BPM, then move the tempo fader of the second track to match the currently playing track’s BPM,

That act of looking and matching, is essentially syncing done in two skippable steps.

And you may be wondering. Why would I want to skip that essential step that pretty much defines “what DJ’ing is all about” 

Well the answer is pretty simple. 

Because DJ’ing is more than just matching and blending songs together. 

At it’s core, it’s about making people dance. And the people on the dancefloor don’t care about what equipment you’re using, what technique you’re implementing, or whether or not you’re using Sync. They just care about the tracks you’re playing and if you’re making them have a great time.

So by skipping those two steps, hopefully you can use that energy that you reserved for beatmatching, to do more in things in your DJ performance that take more skill and energy. 

Like scratch, use effects, do cool dj tricks, think of the next song, MC, and read and interact with the crowd.

Now, Of course, Sync does not enable you to do that. You can do all that by also beat matching by ear. 

So, I guess what Im trying to say, is that Sync is just a tool that can help you out if you let it. 

And that there is no need to hate on a tool, that can enable you to do more with your performance, if you have the skills, drive and ability to.

Thursday, October 17, 2019

AN AVICII VIDEO GAME IS BEING RELEASED TO RAISE MONEY FOR MENTAL HEALTH


A new video game celebrating the life and work of Avicii is to be launched across multiple gaming platforms this coming winter.
The game, called AVICII Invector, will see players heading off on an intergalactic journey, trying to hit notes as they race through various landscapes. It will come with solo and multiplayer options, and players will be given the choice of three difficulty levels.
The late DJ and producer had worked with games developer Hello There Games on the initial version of the product which was made available for PS4 back in 2017. This new iteration of AVICII Invector will make it also available on Xbox One, Nintendo Switch and PC. 
25 of Avicii's songs will feature as part of the game, including hits 'Levels', 'Without You' and 'Lay Me Down'. 
25% of the profits from the sale of the game will go to the Tim Bergling Foundation, the charity set up in his honour by his parents with a goal to support those working within mental health and suicide prevention. 
“AVICII Invector celebrates Avicii’s life and music by immersing players inside the pulsing rhythms, evocative lyrics, and beautiful melodies he created," says Leo Zullo, Managing Director of Wired Productions, the game's publishing partner. “He was an amazing talent, and as an advocate for mental health, I hope and believe this project will bring Tim Bergling’s wonderful spirit to a world that can benefit from it.”
You can watch a trailer for the game below and find out more here.
waxwork of Avicii was unveiled at Madame Tussauds New York earlier this month.
An Avicii tribute concert for mental health awareness is scheduled to take place in Stockholm this December, featuring David Guetta, Dimitri Vegas & Like Mike and more. 

Wednesday, October 16, 2019

Traktor Kontrol S3 Gets Lukewarm Reception… But Is It Really So Bad?


Normally a new controller from any company is greeted with positivity, at least by the brand’s fans. But the announcement of the Traktor Kontrol S3 – a brand-new model number in the Native Instruments controller range for Traktor, to sit alongside the S2 Mk3 and S4 Mk3 – has been greeted online with an unusual mixture of resignation and hostility (check out the YouTube video comments, for instance).
At any other time and for any other manufacturer, it’d be fine: It’s basically a four-channel S2 Mk3 with a few welcome additions, such as booth and balanced outputs and the wise addition of an aux in. It fills the gap between the beginner-focused S2 Mk3 and the “serious” but appreciably more expensive S4 Mk3, costing US$649 – about US$300 more than the S2 and US$300 less than the S4.
People will debate whether it was wise for this unit to drop the FX controls above each deck, and whether the build quality looks up to the job (we’ll have to wait till our review to let you know about that) – but it makes sense and on paper should appeal to the segment of the market NI is going for.

Right controller, wrong time?

So why the collective “meh”? Maybe it’s because it’s likely to be the last controller we see from Native Instruments for a long time for Traktor, after the 20-30% staff cuts this year. Maybe the “pro” end of the market was hoping for something a little more innovative, and a little more aimed at them. Or maybe it’s because ultimately this unit doesn’t even pretend to offer anything innovative.
Native Instruments is having a hard time at the moment and this was clearly planned before the recent layoffs and upheaval. I am sure the Traktor team wouldn’t have chosen the S3 as its big “comeback” announcement. But it’s done now – it’s out there. It’s what happens next that will prove crucial to the health or otherwise of the Traktor brand. You, our community, have not been short of suggestions. If the Kontrol S3 puts some money in the bank to spend on innovation, that’ll be good for all Traktor users.
As I write this I am at ADE in Amsterdam, the biggest dance music conference and festival in the world, and am attempting to get a meeting with the Traktor team to see if I can glean any more details. We’ll keep you informed if we find out anything new.
Meanwhile, if you’re looking for a four-channel Traktor controller but don’t need the built-in screens, DVS compatibility or motorised jogwheels, the Kontrol S3 may be just what you’re after – full details over on the Traktor website.

Promo Video

Hardwell (Robbert van de Corput)




බූට්ලෙග් ( Bootleg) සහ රීමික්ස් (Remix) අතර වෙනස කුමක්ද ? ඔබ ගීතයක් නිෂ්පාදනය කර වෙනත් ගීතවල අංග භාවිතා කරන විට , ඔබට කර්තෘගේ...